The Seven Dials sundial pillar turned 30 on Saturday 29th June and I was commissioned to be the arts organiser for this Seven Dials Trust event. It was a pleasure to create a programme that reflected the rich history of the Dials and which provided an educational and fun afternoon for all our visitors! All photos of the event © Gerard McNamara. The Seven Dials Rapscallions were the first to start appearing on the Dials and brought the 1830s history of St. Giles to life. Hailing from far and wide, they descended on St Giles to provide their own brand of vivid Victorian historical street theatre. Another feature of the Dials in the 19th century was the noted Bird Fair that even Dickens wrote about. So it was only right that we had our own Bird Seller for the afternoon… Our Bird Seller was followed by infamous 18th century beggar Old Simon Eedy, whose pitch was outside the gates of St. Giles-in-the-Fields church where he entertained the passers-by… His ‘Ode to the Dials’ poem began the afternoon’s entertainment… The Trust produced two exhibitions for the event that could be viewed by the public and we were very pleased to welcome the Camden History Society to the exhibition space to engage with our visitors. Local youth project Dragon Hall provided a virtual reality experience and 3D printing display for our younger audience members. Meanwhile in the Children’s Activities area: as usual the wonderful David Wilde entertained both young and old… And Gingernutt the Clown was a big hit too! Our wandering street performers also included two very distinguished gentlemen, The Upper Crusties… And The Wardens, who gave me an ASBO and ticketed anything that moved. A big hit with our audiences! Whilst Martin and Carolina provided a Tango display around the Dials… The afternoon was brought to a crescendo by speeches and a toast to the Sundial Pillar!
Last week I was invited onto Soho Radio by Clare Lynch and Leslie Hardcastle to talk about my work as an artist, as a historian of St. Giles and Denmark Street and the new talk and performance that myself and Stephen Micalef are doing on the Gin Craze of the 18th century. This was something of a landmark day – a sad day for Soho – as on the way there I’d walked past the newly closed Patisserie Valerie on Old Compton Street. This, alongside the majority of branches in the UK chain, had gone down overnight. However, the original cafe began in Soho in the 1920s and in his opening Soho Society news item, Leslie Hardcastle reflected upon this and also about the uncertain future of Norman’s Coach & Horses. At the moment this is under the management of the wonderful Alistair Choat and daughter Hollie, who have worked hard for the last 12 years to ensure that (previous landlord) Norman Balon’s legacy continues. Norman is a Soho legend and ran the Coach for some 63 years. The pub was the haunt of Private Eye journalists, one Jeffrey Bernard (of unwell status) and an assortment of 60s hellraisers. Any change to it or the loss of the Coach, would be felt keenly by the Soho community, Londoners and tourists alike: the upstairs Secret Tea Room I gather is highlighted and recommended to visitors in a huge number of guide books across the world. So Alistair was the other featured guest on Clare’s show and he spoke eloquently and clearly about the colourful history of the pub and generally raised awareness that come June 2019, it might be the end of it under his management and of Norman’s Coach & Horses as we know it. I love it there and am a frequent visitor to the Secret Tea Room upstairs – this serves a great afternoon tea and the most fantastic Vegan & Vegetarian food each evening. The pub is very popular and is thriving, why even think of changing its future? Then it was my turn to talk about my work, my love for St. Giles and the rich source of inspiration its given me since 2005. Its wild 18th and 19th century history was the subject of my London’s Underworld Unearthed: The Secret Life of the Rookery whilst the music industry on Denmark Street (an honorary addition to the Soho area, as it’s really here in St. Giles) featured in my 2015 Regeneration City Blues exhibition. This show was about London and the almost daily loss of its rich cultural and creative history, its music venues (which have all but vanished from the centre of town), cinemas – and wonderful local and often old businesses. The capital is in the throes of great change and really is these days at the mercy of international market forces, pushing up rents ever higher as the land is sold from underneath existing businesses. Closure then becomes inevitable and a homogenised, bland ‘vision’ replaces a place or business that has given London its very character. I very much enjoyed myself and I even got to choose some music – a hard choice but I eventually settled on some early Tyrannosaurus Rex and the Pistols. Obvious links to Tin Pan Alley there… So a big thanks to Clare and Leslie for inviting me on the show! You can listen to Alistair Choat and myself here on the latest edition of The Clare Lynch Show